12/20/2023 0 Comments Color grading in resolveWhile high-end clients might be located in geographically disparate places (Detroit car clients, home goods in Cincinnati, an oil company in Texas), top color grading talent tends to concentrate in major markets like New York, Tokyo, London, and especially Los Angeles. With the simplification of the overall toolset, we’ve phased out the Lite Bundle as a product offering.Color Grading has long been driven by “superstar” colorists whom top-paying clients are clamoring to work with. Resolve 17 now offers photometrically accurate color temperature adjustment within the HDR Zones palette, which makes KELVIN redundant. Negative characterization is now part of the pipeline for the Print tool. See above answer - in Colloid 2.0 we’ve shifted away from piecemeal empirical profiles in favor of holistic idealized models. Our alternative approach was to model an idealized version of such a system using clean, high-precision math, based on extensive study of the original design and intent of our favorite film stocks. In addition, traditional profiling methods capture not only the intentionally designed characteristics of an imaging system, but the incidental idiosyncrasies of the particular film rolls, lighting conditions, lens, laboratory, scanner, and printer used. There are a number of reasons for this, but it boils down to this: any profile of a film imaging pipeline will include a baked-in display transform, and this is fundamentally at odds with the notion of a scene-referred look capable of targeting multiple display standards. We’ve made the decision in Colloid 2.0 to move away from traditional film profiles for our looks. What happened to the film stock profiles?
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